Labyrinth / Altare Productions, October 2015
Carma – hailing from Coimbra in Portugal – create a combination of prickly funeral doom and dark ambient atmospherics. Listening to this self-titled album is like crawling through cold mud and barbed wire towards a hidden destiny – suffering is all around and there’s unlikely to be a happy ending. Then again, if Carma believe in karma, then it’s probably all their own fault anyway.
Lyrically, the band focus on death, loss and other burdensome miseries, and while they are sung in native Portuguese, you do not need a dictionary to translate the crippling cries of pain.
Carma’s music is a mass of sweeping guitars, jangling echoes and slow agony, and the songs are sometimes graceful and fluent but elsewhere a little indecisive. One of the highlights is ‘Feto’, a song that treads patiently with regal poise and features some rewarding vocal creativity and a magnificent finale.
Perhaps best of all, however, is ‘Lamento’, which is based upon movements from Edvard Grieg’s ‘Peer Gynt’, principally the mournful ‘Ase’s Death’. While Carma’s doom metal version does not come close to mirroring the vast emotional drama of the original composition, it is quite an accomplishment to turn the classical dirge into something potent and fascinating. The band have not breathed new life into Grieg’s masterpiece – maybe they have breathed new death into it. The major down side to the song is the oddly playful plucking interlude, reflecting ‘Solveig’s Song’, which interrupts the flow.
If you remove the atmospheric, synth-driven opening and closing tracks, as well as the intriguing Grieg ‘cover’, you are left with just three tracks. And while this trio of songs are great hymns of calamity, this paucity has the consequence of somehow making the band’s debut album feel more like an EP. The balance between dark ambience and raw doom metal is not quite right, but there is more than enough to admire and enjoy on this new release from Portugal’s Carma.