REVIEW: Ex People ‘Loss’ (EP)


EX PEOPLE
‘Loss’
Released: May 2015
8/10

Throw the Melvins, L7 and Alunah into a food mixer and then gulp down the delicious results. Ex People’s elegant mix of electronic noise and waspish, sludgy riffs is brilliantly purposeful and thoughtful.

If listening to fellow Brits Alunah is like hugging a mushroom while wearing a velvet cape, then the Ex People experience is akin to gnawing the rust from a long-abandoned office chair while drinking rum. The three-track debut EP from these lo-fi Londoners is simple, nasty and bleak – and yet clearly lovingly assembled. It is understated and accessible without ever relinquishing its stark originality.

A slow, relentless groove underpins the band’s fresh and modern take on doom metal. Gorgeous female vocals, replete with engaging lyrics and loveable choruses, drift over the top of fuzzy guitars that corkscrew into your brain, never more so than on the opening track ‘The Erlenmeyer Flask’ (everyone’s favourite flask, right?).

Middle child of the trio ‘Jersey Devil’ sounds like early Sinead O’Connor doing the nasty with The Obsessed, with a dandruff-like sprinkling of Nirvana at their heaviest and most dejected. The song drifts off a bit towards the end, while the vocals lose some of their earlier authority, but this remains some cool and fascinating stuff. Finally, ‘Pilot’ sounds the most “occult” of the three songs, initially pretty repetitive but hypnotising and developing into a curiously satisfying dirge.

This EP is a gut-busting kangaroo kick of lucid, expressive and effortlessly effective new doom. Hopefully, Ex People retain their blissfully unsullied candour during a long and miserable career.

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