ALBUM REVIEW: Funeral Marmoori ‘The Deer Woman’

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FUNERAL MARMOORI
‘The Deer Woman’
Minotauro Records (Nov 2015)
8/10

Florence is perhaps Italy’s most beautiful city, a traditional epicentre of European art and culture. And now, it is home to some of the year’s finest doom metal, thanks to Funeral Marmoori and their fantastic second album ‘The Deer Woman’.

Threaded with warm synths and organic organs, ‘The Deer Woman’ is a multi-layered and effortlessly intricate doom metal offering, binding elements of big-riffing traditional doom with swirling, psychedelic keys that are ever-present without overpowering the guitar-based heaviness.

Three years after the band’s ‘Vol. 1’ debut, things have become even more dramatic and bold, and the band’s hard-hitting hymns of woe are delivered with impressive control, maturity and confidence. Imagine a gloomily grooving combination of Lord Vicar, Paul Chain and Black Sabbath’s ‘Who Are You?’ and you’re getting close to Funeral Marmoori’s strange sound.

Funeral Marmoori’s songwriting abilities are truly impressive. Tracks such as ‘The Hunter’ and ‘Onions’ (?!) come pretty close to being progressive doom metal classics – they twist and turn without ever abandoning the path of true doom.

In both his vocal delivery and guitar playing, Giulio Siena seems slightly restrained at times, as if unwilling to really ‘let rip’. There are a few moments where the album wanders off-track, but these are rare and brief, suggesting that there is even more to come from Florence’s latest great artists.

‘The Deer Woman’ is a real work of art; it’s the kind of album you can listen to repeatedly and never get bored. Italian doom metal at its most solid and inspiring.

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